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Celtic Guitarist Tony McManus Announces Mysterious Boundaries

May 24, 2013

 

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Celtic Guitarist Tony McManus Announces
Mysterious Boundaries
Steel-string Fingerstyle Virtuoso Takes on Classical Repertoire for June 25th Release
 
(Nashville, TN) May 24, 2013 – Acclaimed guitarist Tony McManus has been called “the best Celtic guitarist in the world,” by legendary English guitarist John Renbourn, and is known for his virtuosic fingerstyle performances on the steel-string guitar. In 2012, Mike Marshall, an esteemed mandolinist in his own right, challenged McManus first to learn a Bach Prelude, then a Bach Chaconne, and McManus, never one to turn down a challenge, not only learned the songs, but arranged and recorded them along with 8 other classical pieces for his June 25th release Mysterious Boundaries.Says McManus of the album:
 
“’Well, learn it then!’…Mike Marshall’s blunt response to my appreciation of his Bach E major Prelude, played as if written for his mandolin. My first thought was that it was impossible given that I have no formal training, either on guitar or in music theory. My second thought was ‘What if…?’
 
So began a journey that has challenged me to engage with music I’d long appreciated but never before considered within my scope. Along the way were many technical hurdles to jump, and not being a classical musician, my route over them would not be the conventional one. But my hope is that whatever the path, the destination­­–the emotional content of the music–is the same. Maybe the boundaries between genres are more porous than might first be apparent.”
 
The album includes challenging pieces from composers like Francois Couperin, J.S. Bach, Claudio Monteverdi and Eric Satie and McManus, despite fighting an immense learning curve, persevered to record what he calls “a very different album to anything I’ve done before.” In fact, his approach to the music on steel string as opposed to a nylon-string classical guitar (standard practice for the genre) has rarely been done before. Tony explains further in this promotional video.
 
Self taught from childhood, initially through listening to the family record collection, McManus began pursuing music full time in his twenties. The session scene in Glasgow and Edinburgh provided the springboard for gigs around Scotland and a studio set for BBC Radio, frequently rebroadcast, began to spread the word.
 
Today his live work ranges from intimate solo performance through various duos with friends Alain Genty, Bruce Molsky, and Alasdair Fraser to the quartet Men of Steel (with fellow guitarists Dan Crary, Beppe Gambetta and Don Ross). He is an enthusiastic collaborator both as a leader and as a sideman having worked with  Dougie McLean, Phil Cunningham, Liam O’Flynn, Martin Simpson, Kevin Burke, Alison Brown, Martyn Bennett, Natalie MacMaster, ní Mhoanaigh and Dermot Byrne (Altan), The Nashville Chamber Orchestra, John Jorgenson, and Andy Irvine among many others. He is also in great demand as a studio musician having contributed to over 60 albums.
 
The upcoming Mysterious Boundaries finds Tony again carving an ambitious new path, this time for the steel string in the world of classical guitar, where he explores and perhaps breaks down some of the boundaries in the process.

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Claire Lynch Announces New Album Dear Sister

May 09, 2013

 

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Claire Lynch Announces
New Album Dear Sister
2x IBMA Female Vocalist of the Year and United States Artists Walker Fellowship Winner Presents Compass Records Debut
 
(Nashville, TN) May 9th, 2013 – Acclaimed bluegrass singer-songwriter Claire Lynch presents her much-anticipated Compass Records debut album Dear Sister, arriving May 28th.  By any measure, Claire Lynch is high on the roots music world’s A-list. Her accolades include two International Bluegrass Music Association (IBMA) Female Vocalist of the Year Awards, 2 GRAMMY nominations for Best Bluegrass Album, songs recorded by such luminaries as Patty Loveless, The Seldom Scene, Cherryholmes, Kathy Mattea, the Whites and Stephanie Davis, and now the 2012 United States Artists $50,000 Walker Fellowship. 
 
But it’s as a bluegrass bandleader that she’s best known and her current lineup is her strongest yet, featuring like-minded musicians blending tradition and innovation - two-time IBMA-winning bassist-clawhammer banjo player-dancer-percussionist Mark Schatz, mandolinist-guitarist Matt Wingate and 21-year-old string wizard Bryan McDowell, who at 18, won an unprecedented Triple Crown at Winfield, Kansas - taking first place honors in the flatpicking guitar, mandolin and fiddle contests. “There’s wonderful live chemistry in this band,” she says. “Granted, the show is focused around me, but it speaks volumes of what we create together.” Her bluegrass bona fides include two IBMA Female Vocalist of the Year awards, but she continues expanding her musical vision, incorporating swing, vintage country, old-timey, Celtic and delicate singer-songwriter balladry. Lynch co-led the acclaimed Alabama-based Front Porch String Band for many years with her ex-husband, singer-mandolinist Larry Lynch, before forming her own Claire Lynch Band, a band that has featured masters like bassist Missy Raines, guitarist Jim Hurst and mandolinist David Harvey.
 
It is always Claire herself and that angelic voice that remains front and center.  Claire has all the basic tools that make a great singer - impeccable pitch, tone and phrasing - but what truly sets her apart is the way she harnesses her considerable gifts to express the feeling as well as the meaning of a song. She is fluent in the complete vocabulary of human emotion and in her delivery we feel it vividly.  
 
There’s girlish innocence in the unrequited love song “How Many Moons”; the regret and relentless road weariness in the locomotive rhythm of “Doin’ Time” a track that features Tim O’Brien; her joy at letting her bluegrass pony run in a feisty remake of the Osborne Brothers’ classic, “I’ll be Alright Tomorrow,” featuring Compass co-founder Alison Brown on banjo.  On Pierce Pettis’ “That Kind of Love,” she’s the voice of clear-eyed experience. Along the way there’s the full-tilt country of “Everybody Knows I’ve Been Cryin’,” and “Buttermilk Road/The Arbours,” a song/fiddle tune medley that’s simultaneously contemporary and old-timey, featuring Mark Schatz on clawhammer banjo and “hambone” percussion.
 
However, the emotional lodestone of the album is the title song, “Dear Sister.” Co-written by Claire and the remarkable Louisa Branscomb, “Dear Sister” has its roots in Louisa’s ’s family tree. “Her great-great-great aunt from Union Springs, deep in Southern Alabama, had four brothers who fought in the Civil War and they all wrote letters home to her,” Claire explains.
 
The aunt saved the letters in a trunk, where they were discovered more than 100 years later. Louisa’s cousin Frank edited them into a book entitled Dear Sister. Piecing together information from the letters, Claire and Louisa believe it’s likely that at least one brother fought in the famous Battle of Stones River, on the outskirts of Murfreesboro, Tennessee., which lasted three days and resulted in nearly 25,000 casualties.
 
The song imagines what that brother might have written just before the fighting began on Dec. 31, 1862, using historical accounts that tell of each side singing battle hymns until both came together in what was then a fairly new popular tune, “Home Sweet Home.” It’s on this song you hear very clearly why Claire Lynch is a once-in-a-generation voice. She brings it viscerally to life, capturing the dread of the soldiers waiting to fight, the love of home that inspired both sides and the hope that death is not the end. It all comes together in the heartbreaking way she sings two simple words - “sweet home.”
 
Anyone needing an introduction to Claire Lynch will find it all on the 10 tracks on Dear Sister.  She takes classic bluegrass and Americana themes of love and home and at once makes them both universal and utterly contemporary leaving little question about her place in the pantheon of acoustic music’s greatest voices.
 
 
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